The exhibition Srimad Ramayana: A Story through Pattachitra Paintings was gracefully inaugurated by the divine presence of Jagadguru Sri Sannidhanam at Shankara Giri, Sringeri . His presence imbued the exhibition with spiritual depth and sanctity, affirming its purpose as more than a visual display—as a medium of cultural transmission rooted in devotion and tradition. Curated by the Shankara Advaita Research Center and designed by Tacit , the exhibition brings the timele

Foundation Website When a foundation matures, the story can’t remain abstract. That’s exactly the pivot behind the Aastrika Foundation redesign: moving communication from “we care about maternal health” to “here is the progress, here are the gaps, and here is what we’re doing about them.” Tacit’s design approach frames the project as a comprehensive articulation across channels— website, presentations, and social media —with a clear aim: highlight tangible progress , provide

Friendship with Science is built on a simple, generous premise: science done in India, spoken with laughter, and relevant everywhere—because good science always is. Each conversation is a wide-angle wander through foundational ideas (atoms, genes, the sun) and delightfully hands-on curiosities (like building science toys from everyday objects), moving freely across physics, biology, chemistry, and mathematics. More than “explaining concepts,” the series leans into how scient

Nitya Prarthana, Books for Chanting Designing Nitya Prārthanā and Nitya Dhyāna is an exercise in restraint—because these books aren’t meant to be “read” the way most books are. They’re meant to be used : held in the hand, returned to daily, and relied upon as a steady textual aid for learning and practicing Vedic chanting. Tacit’s design response starts from that lived reality of practice, shaping the books as quiet companions for students and teachers within the sacred Hin

Belaku is a lighting design project where material intelligence, craft, and social purpose converge. Conceived by Tacit in collaboration with Chetana —an occupational and rehabilitation organisation in Sirsi, Karnataka—the project designs meaningful products that empower artisans, celebrate sustainable materials, and create new pathways into contemporary markets. Lighting Design with Banana Fibre Chetana Foundation: Purpose rooted in dignity and craft Chetana is an initiat

Identity Design Mysuru Yoga Utsava (MYU) positions itself as more than a festival—it’s a global gathering rooted in India’s spiritual traditions, inviting seekers, scholars, and practitioners to experience Yoga in its full integrality: philosophy, wellbeing, and culture. Now entering its third edition, the Utsava frames itself as a transformative space where knowledge meets practice and diversity meets harmony. ( mysuruyogautsava.com ) The identity, brand system, and communic

Discover Samiti, the board game revolutionizing village health by training and uniting JAS committees for better healthcare services.

Cover page Anveshana is built like a journey—less “photo album,” more “theertha-kṣetra map.” Conceived as a coffee-table book born from the Indica Culture Photography Grant (ICPG) 2021 , it brings together portfolios from eight grantees and prose that frames the work as a search—an anveshana —for meaning across communities and landscapes. But what makes the book’s design memorable isn’t only what it contains—it’s how the content is orchestrated : photography, ethnographic no